RSA ANNUAL MEETING NEW YORK, April 1-3, 2004
Final Program
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Thursday · Friday · Saturday · Special Events · Other (PDF)
| Thursday, April 1 | |||
|---|---|---|---|
| Time | Panel Title | Room | Details |
|
8:45 AM |
"Epistolary Rhetorics I: Michelangelo’s Carteggio" | Regency |
|
| "War and Information" | Shubert | ||
| "Women, Pregnancy, and Childbirth in Late Medieval and Early Modern Europe" | Majestic | ||
| "Renaissance Performativities" | Broadhurst | ||
| "The Perils and Pleasures of Reading and Writing Plays in Early Modern Spain" | Booth | ||
| "Aspects of the Spanish Literary World" | Imperial | ||
| "Fantasia and the Fantastic" | Lyceum | ||
| "Concepts in Renaissance Science" | Morosco | ||
| "Shakespeare’s Dramatic Children" | Music Box | ||
| "Female Agency in the Renaissance" | Plymouth | ||
| "A Renaissance Italy for the Twenty-First Century" | Uris | ||
| "Emblems/Imprese, Authorship and Women" | Julliard | ||
| "Figuring the Artist in Early Modern Italy: I" | Broadway | ||
| "People and Domestic Property in Renaissance Italy" | Carnegie | ||
| "The Languages of the Italian Renaissance, I: Humanists, the Roman Curia, and the Vernacular" | Alvin | ||
| "Philosophy and Devotion" | Edison | ||
| "Sixteenth-Century Self-Fashioning in Spanish Golden Age Prose, Poetry, and Drama" | Winter Garden | ||
| "Constituting Communities in Britain and Ireland: I" | Brooks Atkinson | ||
| "Florence and Naples: Politics and Artistic Exchange in the Renaissance" | Chrysler | ||
| "The Object in Question: I" | Park Avenue | ||
| "Renaissance Art: I" | GC C201 | ||
| "“The Most Cunning of All Diseases”: Defining the French Disease in Renaissance Europe: Clinical Medicine, Hospitals, and Social Context" | GC C202 | ||
| "The Reception of Italy at the Courts of Europe 1400-1700" | GC C204 | ||
| "New Technologies and Renaissance Studies I: The Influence of New Technologies on Renaissance Studies" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
10:30 AM |
"Languages of Design in Early Modern Italy" | Regency |
|
| "Female Identity in the Renaissance" | Shubert | ||
| "Dressing and Undressing the Public Self in Early Modern Italy" | Majestic | ||
| "“Showing Forth” in The Faerie Queene: Physical/Material/Spiritual" | Broadhurst | ||
| "He Said, She Said: Gender and Narrative in Renaissance Europe" | Belasco | ||
| "Renaissance Education and Science" | Booth | ||
| "Italian Literature: I" | Imperial | ||
| "Othello Revisited: The Cultural Contexts of Shakespeare’s Play" | Lyceum | ||
| "Poetics and Political Theory in the French Renaissance" | Morosco | ||
| "Negotiating Authority in Fifteenth- and Sixteenth-Century Florence" | Music Box | ||
| "Perspectives on Elizabethan and Jacobean Drama" | Plymouth | ||
| "Labor-Knowledge-Virtue: The Intersection of Human Powers in the Renaissance: I" | Palace | ||
| "Black Africa and Black Africans in European Art and Society" | Uris | ||
| "Jusques à ce que tout le monde soit remply: The Circulation of the European Emblem" | Julliard | ||
| "Italy in Memory of Patricia H. Labalme" | Broadway | ||
| "Competitions in the Renaissance" | Carnegie | ||
| "The Languages of the Italian Renaissance, II: Diplomacy and State-Building" | Alvin | ||
| "Friendship, Love, and the Renaissance Author" | Edison | ||
| "Seventeenth-Century Self-Fashioning in Spanish Golden Age Prose" | Winter Garden | ||
| "Thinking about Old Wives’ Tales: Gender and Early Modern Oral Culture" | Brooks Atkinson | ||
| "Renaissance Letters and letter Writing: I" | Chrysler | ||
| "The Object in Question: II" | Park Avenue | ||
| "Renaissance Music" | GC C201 | ||
| "Examining Exhibits: The Display of Art and Artifacts in Early Modern Europe" | GC C202 | ||
| "Ceremony and Ritual in the Vatican Palace" | GC C203 | ||
| "Consumption and Early Modern Women in Italy and England" | GC C204 | ||
| "New Technologies and Renaissance Studies II: The Database and the Archive: Rulers of Venice 1300-1524" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
1:45 PM |
"Humanists, Theologians, Philosophers, and Jurists" | Regency |
|
| "Early Modern Alienation" | Shubert | ||
| "Cosmopoiesis: The Making of Renaissance Lyons" | Majestic | ||
| "Textual Editing" | Broadhurst | ||
| "Rethinking Renaissance Sexualities" | Belasco | ||
| "Exploring the Archives: Documents for the History of Medicine in Early Modern Italy" | Booth | ||
| "Distant Refractions: Early Modern Spanish Texts and Postmodern American Film" | Imperial | ||
| "Understanding Italian Renaissance Society and Politics" | Lyceum | ||
| "Mediation and Transmission: Approaches to Reading Seventeenth-Century Texts" | Morosco | ||
| "Education and Schooling in Croatia during the Renaissance" | Music Box | ||
| "Renaissance Scholarship: Sources and Methods" | Plymouth | ||
| "Labor-Knowledge-Virtue: The Intersection of Human Powers in the Renaissance: II" | Palace | ||
| "Consumption and Controversy in Golden Age Spain" | Uris | ||
| "Emblematics in Religious Meditation, Renaissance Art History, and Nominalistic Semiotics" | Julliard | ||
| "Venetian Studies in Honor of Patricia H. Labalme" | Broadway | ||
| " Dark Glasses: Visual Misdirection in Late Renaissance Literature" | Carnegie | ||
| "Renaissance Empire I: J. G. A. Pocock’s Barbarians and Religion, Vol. 3. Commentary and Response: A Roundtable Discussion" | Alvin | ||
| "Psalms and Self: Radical Recastings of Renaissance Subjectivity in Aretino and Wyatt" | Edison | ||
| "Vives’ Philosophy of Man" | Winter Garden | ||
| "Samson Agonistes in New Dimensions" | Brooks Atkinson | ||
| "The Languages of the Italian Renaissance, III: The Strange Career of Aristotle’s Rhetoric" | Chrysler | ||
| "The Object in Question: III" | Park Avenue | ||
| "The Plague in Early Modern Italy: I" | GC C201 | ||
| "Renaissance Art: II" | GC C202 | ||
| "1504" | GC C203 | ||
| "Florence from the Trecento to the Cinquecento" | GC C204 | ||
| "New Technologies and Renaissance Studies III: Literary Text Encoding and Analysis of Italian and English Works" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
3:30 PM |
"Representing Eros: The Arts of Love in Italy (1420 - 1520)" | Regency |
|
| "Aspects of English Literature" | Shubert | ||
| "Leon Battista Alberti, 1404-2004" | Majestic | ||
| "Syphilis, Medicine, and the Tongue" | Broadhurst | ||
| "Women’s Discourses: Science, Theology, Letters" | Belasco | ||
| "Revisiting Early Modern Citizenship: Community and Social Membership in Seventeenth-Century Venice" | Booth | ||
| "The Devotional and Scientific in Seventeenth-Century English Literature" | Imperial | ||
| "Women’s Voices in Early Modern English Drama" | Lyceum | ||
| "Printer, Author, and Reader in Tudor England" | Morosco | ||
| "Down and Out in Renaissance Venice" | Music Box | ||
| "Islam in Print: The Book, the Nation, and the East" | Plymouth | ||
| "Perspectives on Marlowe" | Palace | ||
| "Picturing the Italian Renaissance Triumph: Fantasy, Artifice, and Memory" | Uris | ||
| "Italian Literature: III" | Julliard | ||
| "Bronzino Revisted: Dedicated to Professor Craig Smyth" | Broadway | ||
| "Expressing the Personal in Early Modern English Writers" | Carnegie | ||
| "Dangerous Journeys: Variations on the Perils of Overseas Travel" | Alvin | ||
| "Thomas More and His Circle 1: Humanism and History" | Edison | ||
| "Renaissance Humanism in Spain" | Winter Garden | ||
| "Eros and Early Modern Women Readers" | Brooks Atkinson | ||
| "The Languages of the Italian Renaissance, IV: Byzantine Influences, Popular Platonism" | Chrysler | ||
| "Renaissance Empire II: Narrative Models from the Conquest of the Americas" | Park Avenue | ||
| "Renaissance Art: IV" | GC C201 | ||
| "The Plague in Early Modern Italy: II" | GC C202 | ||
| "Bodily Boundaries after Trent" | GC C203 | ||
| "Renaissance Art: III- Loconte, Fiorani, Maxwell" | GC C204 | ||
| "New Technologies and Renaissance Studies IV: Applications for Teaching and Research" | GC C205 | ||
Thursday · Friday · Saturday · Special Events · Other (PDF)