RSA ANNUAL MEETING NEW YORK, April 1-3, 2004
Final Program
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Thursday · Friday · Saturday · Special Events · Other (PDF)
| Saturday, April 3 | |||
|---|---|---|---|
| Time | Panel Title | Room | Details |
|
8:45 AM |
"Italian Mural Painting, 1430-1510" | Regency |
|
| "Uncommon Hispanisms: The Golden Age and Modern Ideologies" | Shubert | ||
| "Le Texte de la Renaissance: du manuscrit à l'imprimé" | Majestic | ||
| "Citation and Intertextuality in Italian Renaissance Writing" | Broadhurst | ||
| "Tasso’s Armida: Generic Transformation and Epic Tradition" | Belasco | ||
| "Archival Perspectives on Women and Medicine in Early Modern Europe" | Booth | ||
| "Italian Literature: II" | Imperial | ||
| "Re-presenting Women: Interpretation and Ideology in the Renaissance" | Lyceum | ||
| "Art in Confraternal Oratories in Florence and Rome" | Morosco | ||
| "Musical Life in Florence and Prato: A New Look at Documentary Evidence" | Music Box | ||
| "Renaissance Pilgrimages II: John Bunyan" | Plymouth | ||
| "New Work in Gender Studies: Italian Context" | Palasco | ||
| "Once Upon a Time: Renaissance Worlds in Children's Books" | Uris | ||
| "Micro-architecture: Renaissance and Baroque Altar-Tabernacles" | Julliard | ||
| "Princely Attire in Renaissance Italy: I" | Broadway | ||
| "Women, Faith, and Culture in Early Modern Europe: The Works of Gabriella Zarri" | Carnegie | ||
| "Aspects of Renaissance Philosophy" | Alvin | ||
| "Northern Humanism" | Edison | ||
| "Women Writers and the City" | Winter Garden | ||
| "School Rhetoric in the Renaissance" | Brooks Atkinson | ||
| "The Religious Republic of Letters in Early Modern Europe" | Chrysler | ||
| "The Languages of the Italian Renaissance VI: Quattrocento Vernacular Classicism" | Park Avenue | ||
| "Renaissance Spain" | H 1401 | ||
| "Renaissance Biblical Poetics: On the Occasion of the Twenty-Fifth Anniversary of Barbara K. Lewalski's Protestant Poetics" | H 1401 | ||
| Time | Panel Title | Room | Details |
|
10:30 AM |
"Renaissance Interdisciplinary Studies: The State of the Question" | Regency |
|
| "Performing Masculinities in Late Elizabethan and Early Jacobean Theater" | Shubert | ||
| "Experimenting with Literature, Re-reading Science II: Art and Nature in the Renaissance" | Majestic | ||
| "Hate in the Renaissance III" | Broadhurst | ||
| "Epistolary Rhetorics II: Correspondence" | Belasco | ||
| "Perspectives on Milton’s Paradise Lost" | Booth | ||
| "Imagining Africa: Heliodorus=s Aethiopica in Early Modern Literary Culture" | Imperial | ||
| "French Renaissance Literature" | Lyceum | ||
| "Representing Conversion in English Renaissance Drama" | Morosco | ||
| "Intertextuality and Memory" | Music Box | ||
| "Coelum terris miscere: Religion and Politics in Early Modern England" | Plymouth | ||
| "Readers and Reading Practices in the Early Modern Spanish Empire I: Constructing Readers, Reconstructed Readings" | Palace | ||
| "Religious Culture in Tuscany: Artistic and Literary Productions" | Uris | ||
| "The Early Printed Book" | Julliard | ||
| "Princely Attire in Renaissance Italy: II" | Broadway | ||
| "Segni, spettri ed immagini I: Images of Love and the Erotic in the Italian Renaissance" | Carnegie | ||
| "Interpretations of Renaissance Humanism VI" | Alvin | ||
| "Renaissance Conceptions of Value and Shakespeare’s Problem Plays" | Edison | ||
| "Expelled Identities: Islam and Marginality in Spanish Golden Age Literature" | Winter Garden | ||
| "The Renaissance: Old Regime or Modernity?" | Brooks Atkinson | ||
| "Allegory in the French Renaissance" | Chrysler | ||
| "The Languages of the Italian Renaissance VII: Madness, Obscenity, and Cleanliness" | Park Avenue | ||
| "Comparative Literature and Comparative Disciplines" | H 1401 | ||
| "From Theory to Practice in Renaissance Rhetoric" | H 1424 | ||
| Time | Panel Title | Room | Details |
|
1:45 PM |
"The Baptistery of Florence" | Regency |
|
| "Pedagogies in Tudor Drama" | Shubert | ||
| "Women Behaving Badly in Medieval and Renaissance Lucca" | Majestic | ||
| "Clément Marot" | Broadhurst | ||
| "Risky Medicines: Debating Herbs in Renaissance England" | Belasco | ||
| "Reading, Listening, Writing in Early Modern England" | Booth | ||
| "Women’s Political Writing in the Renaissance" | Imperial | ||
| "French Legal Humanism and Encyclopaedic Erudition in the Sixteenth Century" | Lyceum | ||
| "Giulia Bigolina’s Urania (c.1556): Italy’s First Female-Authored Prose Romance" | Morosco | ||
| "The Burlesque and Grotesque in Early Modern Society, IV: The European Dimension" | Music Box | ||
| "The Poetics of Pedagogy" | Plymouth | ||
| "Readers and Reading Practices in the Early Modern Spanish Empire II: Public Texts and Private Readers" | Palace | ||
| "Renaissance Gothic: Gothic Design and its Uses in Sixteenth-Century Europe" | Uris | ||
| "Early Renaissance Painting in Italy" | Julliard | ||
| "Artistic Relations between Italy and Spain in the Sixteenth and Seventeenth Centuries: III" | Broadway | ||
| "Charity and Power in Renaissance Florence" | Carnegie | ||
| "Philosophy and Arts Teaching at Renaissance Universities" | Alvin | ||
| "Renaissance Aristotelianism" | Edison | ||
| "Segni, spettri, ed immagini II: Images of Love and the Erotic in the Italian Renaissance" | Winter Garden | ||
| "Correcting Courtesans: Early Modernity and the Styles of Sexuality" | Brooks Atkinson | ||
| "Viewing Limits: Representation and its Outside in the French and Spanish Renaissance" | Chrysler | ||
| "Controlling Devotions: Race, Gender, and Identity in Renaissance and Early Modern Confraternities" | Park Avenue | ||
| "Secrecy and Disclosure" | H 1401 | ||
| "The Malone Society: I" | H 1424 | ||
| Time | Panel Title | Room | Details |
|
3:30 PM |
"Cesare Vecellio and Venice: History, Physiognomy, and the 1590 Costume Book" | Regency |
|
| "Gender and Genealogy in Ariosto’s Orlando furioso" | Shubert | ||
| "The Reception of Ariosto’s Orlando furioso in the Sixteenth Century" | Majestic | ||
| "Noble and Ignoble Mathematics in the Italian Renaissance" | Broadhurst | ||
| "Experimenting with Literature, Re-reading Science I: Fiction in the Archive" | Belasco | ||
| "Spanish Literature" | Booth | ||
| "Rethinking Plato and Platonism in European Thought and Literature" | Imperial | ||
| "Early Modern English Drama" | Lyceum | ||
| "Concepts and Images in the Ortelius Network" | Morosco | ||
| "Medici Women as Patrons of the Arts" | Music Box | ||
| "Print, Persona, and the Presentation of Knowledge" | Plymouth | ||
| "Readers and Reading Practices in the Early Modern Spanish Empire III: Readers and Reading in the Text" | Palace | ||
| "Constructing Female Identity: Signatures in Early Modern Italy" | Uris | ||
| "Controlling the Visual Arts in Early Modern Italy" | Julliard | ||
| "Artistic Relations between Italy and Spain in the Sixteenth and Seventeenth Centuries: IV" | Broadway | ||
| "Cooks in Renaissance Italy: the Emergence of a Profession" | Carnegie | ||
| "Hermeticism, Astrology, and the Legitimation of Nature in Giordano Bruno and Tommaso Campanella" | Alvin | ||
| "The Performance of Chastity" | Edison | ||
| "Rabelais Treads the Boards" | Winter Garden | ||
| "Marriage, Mourning, and Murder: Ways of Silencing Women in Shakespeare" | Brooks Atkinson | ||
| "Satire and Invective: Three Thick Descriptions" | Chrysler | ||
| "Salvatore Camporeale, Lorenzo Valla, Humanism and Theology" | Park Avenue | ||
| "The Sensation of Shakespeare’s Sonnets" | Commodore | ||
| "The Malone Society: II" | H 1424 | ||
Thursday · Friday · Saturday · Special Events · Other (PDF)


