RSA ANNUAL MEETING NEW YORK, April 1-3, 2004
Final Program
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Thursday · Friday · Saturday · Special Events · Other (PDF)
| Friday, April 2 | |||
|---|---|---|---|
| Time | Panel Title | Room | Details |
|
8:45 AM |
"The Burlesque and Grotesque in Early Modern Society, I: Tuscan Literati at Play" | Regency |
|
| "Renaissance Scepticism" | Shubert | ||
| "The Question of Identity: Tudor and Stuart Poetry" | Majestic | ||
| "Religion and Satire in French Renaissance Literature" | Broadhurst | ||
| "Neglected Works by Aeneas Sylvius Piccolomini" | Belasco | ||
| "Hebrew and Arabic Sources for Humanism: I" | Booth | ||
| "L’Epistre de Marie d'Ennetières: Problèmes d’interprétation et de traduction" | Imperial | ||
| "Perspectives on Shakespeare" | Lyceum | ||
| "Tropes of Colonialization" | Morosco | ||
| "Dildos, Castrati, and Challenges to Early Modern Masculinity" | Music Box | ||
| "Violence and the Jacobean Stage" | Plymouth | ||
| "The Classical Tradition in Renaissance Literature" | Lyceum | ||
| "Renaissance Domestic Art I: In Celebration of Ellen Callmann" | Uris | ||
| "Women in their Texts: Constructing Sanctity in the Northern Italian Cities, ca. 1300-1700" | Julliard | ||
| "Titian Taking Stock: I" | Broadway | ||
| "Strategies of Production and Interpretation in the Early Modern English Miscellany" | Carnegie | ||
| "Openings and Endings of Scholarly Books: I: Introductions (Roundtable discussion)" | Alvin | ||
| "Thomas More and His Circle II: Poetry and Prayer" | Edison | ||
| "Poetics in the Spanish Golden Age" | Winter Garden | ||
| "Magic and the Mind in the English Renaissance" | Brooks Atkinson | ||
| "The Languages of the Italian Renaissance, V: The Uses of Antiquity in Cinquecento Literature" | Chrysler | ||
| "Renaissance Empire III: Rome, Spain, and European Transformations in the New World" | Park Avenue | ||
| "Under Duress: Forced Labor in Ducal Florence" | GC C197 | ||
| "Renaissance Art: V" | GC C201 | ||
| "Networks of Art And Patronage in Renaissance Rome" | GC C202 | ||
| "Artistic Relations between Italy and Spain in the Sixteenth and Seventeenth Centuries: I" | GC C203 | ||
| "Renaissance Art: VI" | GC C204 | ||
| "New Technologies and Renaissance Studies V: Early Music, Hypertext, and Image" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
10:30 AM |
"Preaching, Rhetoric, and Art in Renaissance Florence" | Regency |
|
| "Transfiguring Ovid in Early Modern England" | Shubert | ||
| "The Burlesque and Grotesque in Early Modern Society, II: In/On The Textual Margins" | Majestic | ||
| "Text and Image in Foxe’s Book of Martyrs" | Broadhurst | ||
| "Cultural Histories of the Emotions in Early Modern England" | Belasco | ||
| "Hebrew and Arabic Sources for Humanism: II" | Booth | ||
| "Shakespearean Damage Control: Amazons, Nuns, and Plagues" | Imperial | ||
| "Margaret Cavendish and the Problems of Self-Expression" | Lyceum | ||
| "Homosociality in Early Modern Culture" | Morosco | ||
| "Performing “Witchcraft” in Early Modern England" | Music Box | ||
| "Gender and Gender Roles in the Renaissance" | Plymouth | ||
| "Law Antiquarianism" | Palace | ||
| "Renaissance Domestic Art II: In Celebration of Ellen Callmann" | Uris | ||
| "Death’s Heads and Deathbeds: Thresholds of Shape, Space, and Text in Early Modern England" | Julliard | ||
| "Titian Taking Stock: II" | Broadway | ||
| "The Dynamics of Exemplarity: Representing Catherine de Medicis in Renaissance France" | Carnegie | ||
| "Openings and Endings of Scholarly Books: II: Conclusions (Roundtable Discussion)" | Alvin | ||
| "Northern Renaissance Society and Economy" | Edison | ||
| "Aspects of French Literature" | Winter Garden | ||
| "Renaissance Letters and Letter Writing: II" | Brooks Atkinson | ||
| "Rhetoric in the Spanish Golden Age" | Chrysler | ||
| "Early Jesuit Culture of Information" | Park Ave. | ||
| "Representations of Material Culture: New Research on Paolo Veronese" | GC C197 | ||
| "Renaissance Art in Sixteenth-Century Mexico" | GC C201 | ||
| "Technology and Inevitability" | GC C202 | ||
| "Artistic Relations between Italy and Spain in the Sixteenth and Seventeenth Centuries: II" | GC C204 | ||
| "Medicine in the Renaissance I: Printing the Ancient Legacy" | GC C204 | ||
| "New Technologies and Renaissance Studies VI: Electronic Publication" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
1:45 PM |
"The Burlesque and Grotesque in Early Modern Society, III: Images of the Other" | Regency |
|
| "Gender, Status, and the Early Modern Female Subject" | Shubert | ||
| "Cosmology and Controversy in the Work of Christoph Scheiner, S.J." | Majestic | ||
| "Dialogue and Rhetoric in Montaigne’s Essais" | Broadhurst | ||
| "Law and Subjectivity" | Belasco | ||
| "Political Trust in the Italian Renaissance" | Booth | ||
| "Was There a Radical Renaissance?" | Imperial | ||
| "New Approaches to Early Elizabethan Poetry" | Lyceum | ||
| "The Body and the City: I" | Morosco | ||
| "Musical Genres: New Interpretations of the Mass, Motet, and Madrigal" | Music Box | ||
| "New Millennium Milton: Violence and Terror" | Plymouth | ||
| "Painters, Poets, and the Role of the Auctor" | Uris | ||
| "Nicholas of Cusa and Neoplatonism" | Julliard | ||
| "Titian Taking Stock: III" | Broadway | ||
| "Memory and Subjectivity in English Renaissance Drama" | Carnegie | ||
| "Interpretations of Renaissance Humanism IV" | Alvin | ||
| "Early Modern Italian Women Reading: I" | Edison | ||
| "Historiographical Theories in the Spanish Golden Age" | Winter Garden | ||
| "Elizabethan and Jacobean Progresses: The Editions of John Nichols" | Brooks Atkinson | ||
| "Sidney’s Arcadia" | Chrysler | ||
| "Martyrdom in Early Modern Europe: A Discussion of Brad Gregory’s Salvation at Stake: Christian Martyrdom in Early Modern Europe" | Park Avenue | ||
| "Praise and Blame I: The Rhetoric of Reputation in Early Modern Europe" | GC C197 | ||
| "Signifying Style I: The Reception and Transmission of Messages through Visual Media to Renaissance and Reform Audiences" | GC C201 | ||
| "Sermons, Art, and Space: Studies of Italian Pulpits" | GC C202 | ||
| "Fictive Art/Imagined Spaces: Textual Constructions of Art and Architecture in Sixteenth-Century Italy" | GC C203 | ||
| "Medicine in the Renaissance II: Printing the Ancient Legacy" | GC C204 | ||
| "New Technologies and Renaissance Studies VII: Electronic Editions and Studies I, Shakespeare" | GC C205 | ||
| Time | Panel Title | Room | Details |
|
3:30 PM |
"Books, Printing, and Readers in the Spanish Golden Age" | Regency |
|
| "Local Religion: Everyday Practice and Master Narratives" | Shubert | ||
| "Articulate Image: Iconography in Selected Printed Books, Pre-1700: Origin and Meaning" | Majestic | ||
| "Milton and the Body" | Broadhurst | ||
| "A Renaissance Gadamer" | Belasco | ||
| "Between the Lines: Creativity and Collaboration in Reading Early Modern Women (A Roundtable Discussion sponsored by the Society for the Study of Early Modern Women)" | Booth | ||
| "Guelfs and Ghibellines in the Italian Renaissance" | Imperial | ||
| "Les régimes de santé au XVIe siècle" | Lyceum | ||
| "The Body and the City: II" | Morosco | ||
| "Shakespeare and His Rivals" | Music Box | ||
| "Renaissance Pilgrimages I: Transformations" | Plymouth | ||
| "Transatlantic Intercourses: Power, Gender, and Sexuality in Old World/New Word Encounters" | Palace | ||
| "Verbal and Visual Images of St. Joseph in Early Modern Catholic Art and Literature" | Uris | ||
| "Art and Politics at the Spanish Court of Juana de Portugal" | Julliard | ||
| "Titian Taking Stock: IV" | Broadway | ||
| "Early Modern Devotions: Developments in Europe and the Americas" | Carnegie | ||
| "Interpretations of Renaissance Humanism V" | Alvin | ||
| "Early Modern Italian Women Reading: II" | Edison | ||
| "Exploring Lucy Hutchinson’s Order and Disorder" | Winter Garden | ||
| "Three Close Readings" | Brooks Atkinson | ||
| "Erasmus of Rotterdam" | Chrysler | ||
| "Inquisitors as Assailants or Advocates? A New Look at Two Familiar Episodes" | Park Avenue | ||
| "Praise and Blame II: The Rhetoric of Reputation in Early Modern Europe" | GC C197 | ||
| "Signifying Style II: The Reception and Transmission of Messages through Visual Media to Renaissance and Reform Audiences" | GC C201 | ||
| "Figuring the Artist in Early Modern Italy: II" | GC C202 | ||
| "Dynamic Madonnas, Efficacious Objects: Divine Interventions in the Late-Medieval and Renaissance Italian City" | GC C203 | ||
| "New Technologies and Renaissance Studies VIII: Electronic Editions and Studies II, Shakespeare and Herbert" |
GC C205 | ||
Thursday · Friday · Saturday · Special Events · Other (PDF)